The Color tab offers all possibilities to optimize the color of an image, so that it comes as close to reality as possible.

You’ll find the tool in the Color tab, within the color editing area of Resolve. It’s also possible to manually adjust colors, but I would recommend using the Color Match Tool in DaVinci Resolve to get a more accurate and faster result. This is exactly when to include your previous recording using Spyder Checkr.

While these options work up to a point, it’s important to keep in mind that various sensors sometimes display colors differently. To adjust the images of the different cameras to match each other, you can either use the scopes or edit the colors visually. Let’s assume you have successfully completed the shoot and are now in post-production. However, if you hold Spyder Checkr in front of the interviewee in the camera at the beginning of the shoot, you’ll be able to adjust the different cameras and their color profiles with just a few clicks in DaVinci Resolve afterwards. This makes it difficult and time-consuming to adjust the colors in post-production, adding unnecessary stress, particularly with tight deadline projects. This is because each camera has a different color profile.Ī camera’s preset color behavior depends on the manufacturer and differs among camera brands.

Even if you adjust the white balance and tint in the camera settings and set them exactly the same for all cameras, each sensor reproduces skin tones slightly differently.

Imagine filming an interview – in order to be able to switch between several perspectives later on while cutting, you use three different cameras, each of them equipped with a different sensor. But now there’s a simple solution – in DaVinci Resolve, you can use Spyder Checkr to apply corrections quickly and easily, speeding up your workflow. Anyone who works in the video or photo sector is familiar with these challenges. Matching the colors across several cameras.

Davinci resolve color